Many of my artist friends — even the ones who seem the most grounded — keep circling back to the same emotional loop. The same art fear.

For me, it shows up after big projects — a moment of emotional discomfort that makes me question everything. For my friend Eli, it looks like creative paralysis after a betrayal of her values.

In this episode, I unpack how our MBTI stress loops can quietly trap us — and how noticing them is often the first step back to creative joy. Whether your fear pushes you to overdo or freeze, this episode invites you to pause and ask:

What’s your art fear — and what helps you come back?

Even with clear goals in place, I kept hitting this wall:
wait… is this really what I want to do?
And that’s when I realized —
it’s not about locking into a perfect goal forever.
It’s about constantly tuning in, adjusting,
and staying awake inside the process

It hit me when I heard Christian Hook say he painted every day for eight years before even thinking about selling. I realized I’d been focusing on the wrong things — and it was time to come back to the craft itself.

I feel momentum matters in creativity. I was reminded of this when I counted my son’s daycare paintings—50% of them were really good. Meanwhile, when I looked at my own 158 paintings last year, I only truly loved about 10%. And now, as I study Van Gogh for my ‘Masters Reimagined’ series, I see it even more—he created so much, yet only a few of his works stand out as iconic. But that’s the point: you have to keep creating to get there.

In this episode, I’m sharing 10 crucial tips for artists just starting with commissions. From pricing to contracts and communication, I’ll walk you through the steps to handle commissions like a pro and avoid common mistakes. Whether you’re new to the process or looking to refine your approach, this episode is packed with advice to help you navigate your art business with confidence.

For years, I struggled with composition. I read books, studied guides, and even used a fancy golden ratio tool. But every time I showed my paintings to my partner (a hobby photographer), he’d say, ‘The composition isn’t quite working.’ Nothing clicked—until I attended Kelogsloops’ watercolor workshop in Munich.

He explained composition so simply: ‘Guide the viewer’s eye through the painting the way you want them to.’ It was a lightbulb moment. Since then, I see composition everywhere—in my paintings, in children’s books while reading with my son, and even in the way colors flow across a page.

This episode shares my journey to finally understanding composition, plus a special announcement—I’ll be interviewing Kelogsloops in April 2025! Tune in for insights on composition, creativity, and the artistic process.